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EXHIBITIONS 2017

MECHANICAL NATURE Victoria Walker

MECHANICAL NATURE Victoria Walker

May 2017

VICTORIA WALKER Mechanical Nature

Victoria grew up in Cumbria and moved to Cornwall in 2002. After originally studying Fine Art and Illustration she fell in love with jewellery making and graduated with a first BA (Hons) degree in Jewellery & Silversmithing at Truro College in 2009. During the course, she won the Goldsmiths Company Precious Metal Bursary award for her designs.

She specialises in kinetic, fine jewellery inspired by the beauty of natural forms. Her signature botanical lockets feature miniature articulated flowers that gently emerge and unfold from within. These moving designs are inspired by the sentimental nature of lockets and indeed all jewellery, that sometimes the most precious and treasured elements are hidden beneath the surface. Using traditional techniques with silver, 18ct gold and diamonds, every tiny petal is carefully handcrafted and precisely engineered to create these beautiful impressions of the natural world.

 

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YUKIHIRO AKAMA - STRUCTURES

YUKIHIRO AKAMA - STRUCTURES

June 2017

YUKIHIRO AKAMA New Structures

Japanese maker, Yukihiro Akama creates a series of miniature ‘house-sketches’  from native British wood.

Yukihiro Akama's studio is located in a converted shed in his garden in Yorkshire. He works in silence, prefering the quiet as he spends his days "cutting wood into small house-shaped sections, spending a whole day working the surface textures, then working on detailed expression, painting, putting clays etc."  The only sound you may hear coming from the studio is the news on the radio, which he listens to in order to practice his English.

 

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PAINTED PORTRAITS MICHAELA GALL

PAINTED PORTRAITS MICHAELA GALL

June 2017

MICHAELA GALL Painted Portraits - new works in clay and on paper

Ceramic artist, Michaela Gall studied at Chelsea School of Art and L’Ecole des Beaux Arts, Paris. Her work is produced under the umbrella of Majolica, a form of ceramics originated in Renaissance Italy which uses tin-glazes painted over an opaque white background glaze, with an earthenware body.  Michaela creates one off pieces that are painted within the tradition of Folk Art, documenting various subjects such as historical events, patterns, symbols and figures from different cultures.

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SAMANTHA ALLAN - HOTHOUSE part II

SAMANTHA ALLAN - HOTHOUSE part II

July 2017

SAMANTHA ALLAN Hothouse Part II

A new collection of original paintings and mono-prints.

In the midst of a snowy British winter, ‘glass palaces’ around the country steam up as they protect and nurture their tropical plants in structures often over two-hundred years old. With the snow melting off the roofs, artist Samantha Allan made expeditions to some of her favourite glasshouses to celebrate the ‘jungles in our gentle landscape’.

A series of inky blank silhouettes featuring twisted tropical vines, banana palms with their leaves torn and tattered like moth-eaten fabrics, lofty birds nest ferns and the carnivorous Venus Fly Trap are captured like Daguerreotypes (early photographic slides which were contemporary to the boom in glass house building in the 19th century).

Inspired by John Ruskin’s striking 5ft high paintings of flora and fauna which he used as teaching diagrams for his students, Samantha has created a series of limited edition, signed prints which play with scale, simplicity and boldness of form.

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CLAUDIA RANKIN - In the Wild Garden

CLAUDIA RANKIN - In the Wild Garden

LAUNCHING ONLINE  - JULY 2017

In the Wild Garden 

The Shop Floor Project will soon launch a new collection of work by British artist Claudia Rankin. In the Wild Garden includes a series of mixed-media collages and ceramics in the artist’s signature shapes of wonky Georgian tea caddies, sugar pots, plates and vases all painted in salmon pink and smokey cream glazes. Featuring creatures and motifs that appear to come straight off the surface of a strange medieval tapestry, each piece in hand painted in Rankin’s unique ‘hand’.

Rankin’s love of color and her naïve yet refined sense of nature came early. Raised in London near the Victoria and Albert Museum, she lost afternoons wandering the textile and ceramic floors. And as a child, she puttered about her mother’s Oriental porcelain shop on Portobello Road. Her father, in advertising and film, collected stuffed owls. 

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PAINTED CERAMICS - KATRIN MOYE

PAINTED CERAMICS - KATRIN MOYE

July 2017

KATRIN MOYE Painted Ceramics

The Shop Floor Project is proud to be holding an exhibition of new works by Katrin Moye inspired by still life paintings of three 20th centaury female painters: Mary Fedden, Winifred Nicholson and Joan Eardly. 

These new experimental works are based on the ceramics featured in the original paintings. "I liked the idea of the backwards and forwards nature of turning a painted representation of ceramics back into actual ceramics, but trying really hard to make a ceramic version of a painting, not a copy of the original ceramic item itself." 

Katrin is currently artist in residence at Nottingham Lakeside Arts which holds a collection of these paintings.

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FOLK FORMS - AFRIKA ANIMALS

FOLK FORMS - AFRIKA ANIMALS

August 2017

AFRIKA ANIMALS Folk Forms

Handcrafted by a co-operative of women in South Africa who are bringing back to life the craft of beading in an extrodianry contemporary project. From the impoverished townships of Cape Town, these pieces have been the subject of a sell out exhibition at Sotherby's and are held in the Smithsonian collection, they are also the focus of the documentary Bigger than Barbie. The Shop Floor Project is excited to be showcasing a collection of new works.

The project is dedicated to reviving the tradition of African Beadwork,
taking the love and knowledge that is passed down, over the centuries, from mother to child and becoming a bridge from traditional bead works into contemporary artworks.

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RELICS - Denise Allan

RELICS - Denise Allan

Septemebr 2017

DENISE ALLAN Relics; fragments of vanished material

Denise Allan makes a return to Swarthmoor Hall as artist in residence, visiting the Hall on a regular basis and silently experiencing it through the changing seasons.

Using the 17th century Household Account Book of Sarah Fell of Swarthmoor Hall as way to understand the site, the artist has excavated just a thin layer of the minutiae of daily life carried out by Fell family at the Hall and within the surrounding landscape.

In Silence is an alternative to the official tour of the Hall that aims to sit quietly and unobtrusively alongside. The sparse entries of the account book offer glimpses into another world, that when juxtaposed against the fabric of the Hall and its historic contents, heighten the sense of time and place.

A collection of the objects made for the hall will be available to purchase online,

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FROM THE ATTIC - Raphael Balme

FROM THE ATTIC - Raphael Balme

AUGUST 2017

RAPAEL BALME From the Attic

The Shop Floor Project with hold an exhibition of new originals by Raphael Balme. Balme's work plays with colour and pattern using figures, creatures, and plants; drawing on folk art motifs, she makes dream like landscapes,still lives and room-scapes. She is a graduate of Chelsea College of Art.

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EMILY MACKEY - WOVEN LANDSCAPES

EMILY MACKEY - WOVEN LANDSCAPES

SEPTEMBER 2017

EMILY MACKEY Woven Landscapes

Our long-term collaborator Emily Mackey will be setting up her loom in our Guest Studio to weave a series of one-off pieces inspired by the landscape that surrounds us here at The Shop Floor Project. The patterns will reflect the Cumbria fells and the wool Emily weaves will come from the flocks of Herdwick sheep, an ancient breed which thrive on the rugged uplands of the Lakes.

British weaver, Emily Mackey is The Shop Floor Project's in-house weaver and we work together to create collections inspired by the landscapes we love and the native wool Emily is passionate about. Our previous collection, MADE FOR THE SNOW, was inspired by the Cumbrian fells (where The Shop Floor Project is based) and where the native Herdwick sheep look after the landscape and withstand freezing temperatures. It’s their robust fleece, in shades of milky grey to dark chocolate, that we commissioned the weaver to use in a collection of contemporary Herdwick designs, each one hand- woven. 

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